PUBLICATIONS 2024-2025

The wizard of oz at j.p. taravella high school on 2/21/2025

It's time to dust off your ruby slippers, and head on down the yellow brick road to J.P Taravella High School's positively emerald production of The Wizard of Oz! With a book by L. Frank Baum, and music & lyrics by Harold Arlen and E. Y. Hamburg, this enchanting adaptation of the classic 1939 MGM film tells the story of Dorothy Gale, a young farm girl from Kansas who is swept away by a tornado to the magical, vibrant land of Oz. Originally premiering in London with the Royal Shakespeare Company in 1987, this version of the beloved classic fosters themes of self-discovery, belonging, the strength of teamwork, and the power of finding home.

Leading this dazzling take on the timeless story was Brianna De Los Santos as the iconic leading lady. Throughout the show, De Los Santos captivated the audience with her youthful charm and rich voice, bringing an impressive warmth & depth to her performance. Her vocals showcased a stunning balance of classical elegance and contemporary pop inflection, adding both power and nuance to timeless songs like "Over the Rainbow". What's more, De Los Santos carried an impressively on-point transatlantic accent for the duration of the performance, seamlessly blending nostalgic charm with the fresh energy of this modernized production. Accompanying De Los Santos were her three unforgettable co-stars, who together formed a dynamic and endearing quartet, bringing humor, heart, and boundless energy to the stage. Most notably was Austin Blakey as the Cowardly Lion. Over the course of the performance, Blakely combined his impeccable comedic timing with a strong, classical vocal style, bringing this larger-than-life character to life. Joining them were Benjamin Arteaga as the Tin Man & Marco Medina as the Scarecrow, both of whom displayed remarkable physicality and impressive characterization. Their performances remained consistently expressive and uniquely tailored to their respective characters, capturing every movement and mannerism with precision. The group's witty chemistry and dedication to detail carried the performance with a charming energy, carefully bringing the storybook quality to life.

On top of an already outstanding and exceedingly professional performance, this dazzling production featured several remarkable technical elements. Incorporating a breathtaking lighting design by Julisa Landin and a sound design by Aubree Fogle & Kayla McInnis-Convery, familiar moments such as the tornado sequence & Dorothy's return to Kansas came to vivid fruition on stage. Additionally, this production utilized an assortment of clever props, designed by Gianna Duran. Particularly, a remote controlled robotic version of Toto, Dorothy's cherished canine companion. Complementing these standout details, the production's set design further enriched the whimsical experience, and brought in another level of unique storytelling. Designed by Julisa Landon & Kristy Orellana, the clever usage of muted tones to vibrant neons helped foster the development of the characters' feelings throughout the performance, as well as helped convey the change of setting. These innovative elements not only captivated the audience, but also seamlessly blended technological artistry with the show's nostalgic feel, enhancing the magical experience of the performance.

J.P Taravella High School's production of The Wizard of Oz was a mesmerizing journey through a timeless classic, blending heartfelt performances with stunning technical craft. From the dynamic leading quartet to its breathtaking design elements, every aspect of the show transported audiences into the magical world of Oz. If this production proved anything, it's that when it comes to high school theatre, "there's no place like J.P Taravella"!

by Jonathan Jacknow of American Heritage Palm Beach

The Marvelous Wonderettes at american heritage palm beach on 2/07/2025

Under the glow of the prom lights, four voices rang out in perfect harmony, bringing the spirit of the '50s and '60s to life. American Heritage Palm Beach's The Marvelous Wonderettes was as marvelous as its name.

The Marvelous Wonderettes is a jukebox comedy musical filled with beloved hits from the '50s and '60s, celebrating high school Songleader squads. The show first debuted in 1999 at the Milwaukee Repertory Theater, directed by book writer Roger Bean. Due to its success, the production was revived in 2001. The show follows four girls who unexpectedly step in as last-minute entertainment at their senior prom, transforming the night into a whirlwind of music, friendship, and rivalry — including a fight for prom queen. A decade later, they reunite, proving that while time may pass, harmonies and friendships never fade.

Playing the lovable prom queen Suzy, Sofia Jorgensen was phenomenal! Not only did she juggle performing and choreographing the show, but her impeccable physicality and comedic timing had the audience roaring with laughter. From a hopeless romantic in Act One to a pregnant housewife in Act Two, Jorgensen's versatility was extraordinary. Although Suzy may have peaked in high school, Sofia Jorgensen's career is just beginning. Stepping into the role of Missy with just a week's notice, Miriam Smith delivered a remarkable performance. Originally the understudy, Smith rose to the challenge and shined, bringing charm, confidence, and powerhouse vocals to the stage. This "Teacher's Pet" didn't just pass the test, she aced it!

Evangeline Price, as Cindy Lou, commanded the stage! Effortlessly hitting every note with impeccable inflection and dynamic acting, Price brought Cindy Lou to life with both charm and depth. It was clear she made her mark —just like "Lipstick on Your Collar," but in the best way! Penny Stone, as Betty Jean, perfectly blended heart and humor, leaving the audience laughing and emotionally invested. From heart-wrenching songs to hysterical moments, Stone shined as bright as the "Allegheny Moon." Together, these four incredible women made the stage their own, with unmatched chemistry that made the audience feel part of the story.

The behind-the-scenes team expertly transported the audience back to the '50s. Andrew Auster and Simone Zickl did an outstanding job with sound, setting the tone as soon as the audience walked in with '50s hits and continuing the vibe during intermission with '60s songs that cleverly foreshadowed the 10-year reunion in the show. This musical is packed with four-part harmonies and they balanced the microphones perfectly, ensuring each song sounded flawless. Jack O'Donnell, Sophia Luque, and Jonathan Jacknow lit up the stage with era-specific lighting, matching the colors to the mood and music. Their beautiful lighting work, perfectly timed with the songs, truly brought this prom to life in a way that felt authentic.

"Stupid Cupid" must have struck the audience, because they fell in love with this show! With unforgettable performances and catchy tunes, The Marvelous Wonderettes delivered a prom night experience that left its mark long after the final bow.

by Ellie Pulsifer of Marjory Stoneman Douglas HS

clue (high school edition) at monarch high school on 1/24/2025

Can you crack the case? Laughter, suspense, and intrigue filled the theater as Monarch High School transported the audience to Boddy Manor in their delightful production of Clue. From shocking twists to clever one-liners, the cast and crew delivered a performance packed with mystery and comedy that had the audience hooked from the first scene.

This fast-paced murder mystery follows six quirky guests, a cunning butler, and a mysterious maid as they try to solve the unexpected murder of their host, Mr. Boddy. Secrets are revealed, accusations fly, and the suspense builds as the guests navigate the chaos within Boddy Manor.

Phoenix Orival shone as Wadsworth the Butler, his physical comedy and quick timing adding hilarity to every interaction. Joshua Bromet, as Colonel Mustard, brought humor and charm to his performance, keeping the audience entertained with his exaggerated antics. Juliana Zamorano as Miss Scarlet stood out with her commanding stage presence and sharp comedic delivery, adding depth and sophistication to the production. While some moments faced minor comedic timing issues, the overall energy and commitment of the cast ensured an engaging production.

Audrey Gomez delivered a memorable performance as Yvette, showcasing impeccable comedic timing and bringing an energetic flair to the character. Julia Debrito brought vibrancy and charm as Mr. Green, using sharp humor and expressive reactions to keep the story moving. Her ability to command attention onstage added depth to the production.

The ensemble cast of the six main characters in Clue delivered an impressive performance, capturing the essence of each role while creating a dynamic and interactive energy that engaged the audience. Their chemistry was palpable, and the ensemble's ability to work together during the show's action-packed and suspenseful scenes was commendable. While their diction and projection could have been stronger, especially in some of the more intense moments, they maintained a solid balance between humor and tension, keeping the audience invested from start to finish.

Special recognition goes to Jillian Lajoie for her exceptional costume design, which brilliantly reflected the 1950s aesthetic and helped bring the characters to life. Her attention to detail in the design not only embodied the time period, but also gave each character a distinct identity. Michael Trager and crew's work with lighting was equally impressive, using thoughtful lighting choices to enhance the mood and atmosphere of each scene, particularly in the more suspenseful moments. While there were occasional technical difficulties with raising the floor mic volume, the overall technical elements supported the production, contributing to its immersive experience.

Overall, the production of Clue was a captivating blend of humor, suspense, and teamwork. The ensemble's energy and commitment to their characters made for an engaging performance. With a strong cast and impressive attention to detail, the show successfully delivered a memorable experience.

by Mia Martinez of Archbishop McCarthy High School.

fiddler on the roof at David Posnack on 1/22/2025

In an ever-changing world, "Tradition" is hard to find, but how do you hold onto what you know? David Posnack Jewish Day School's heartfelt production of Fiddler on the Roof impressively balances this story of tradition and progress with their touching representation of timeless dances and music.

Premiering on Broadway in September of 1964, Fiddler on the Roof features music by Jerry Bock, lyrics by Sheldon Harnick, and a book by Joseph Stein. The classic tale follows Tevye, a poor milkman, and his struggle to uphold the traditions his daughters seem so willing to throw away. Through iconic music such as "Sunrise, Sunset," the musical touches on ideas of love, faith, and resilience through hardship.

Leading the story using exceptional emotional depth, Sacha Codron brought Tevye to life with his compelling performance, capturing his struggle to stay devoted to tradition. Through his impressive commitment to character, including a strong, consistent accent throughout the show and striking stage presence, he effectively delivered the character's inner conflict and love for his family. Playing opposite him, Zoe Avinir, as Golde, brought a grounded presence to their dynamic. Individually, her vocals shined amongst the cast, but their chemistry during songs such as "Do You Love Me?" was truly authentic.

At the heart on this production, Tevye's daughters and their suitors brought the story to life. Emmanuelle Grunbaum and Adiel Zinn, as Tzeitel and Motel, complemented each other well. With Grunbaum's tender stage presence and Zinn's comedic timing, the two conveyed the love story with ease. Hodel and Perchik, portrayed by Jordyn Jacobs and Shaia Lipnik, shared a deep connection rooted in love and idealism. Together they conveyed the relationship with fluidity. Jacobs' vocals were incredible, with an angelic quality, adding depth and emotion to her character in songs such as "Far from the Home I Love."

The ensemble of this production brought it "To Life" with an incredible and cohesive energy. Each inhabitant of Anatevka contributed to the authenticity of the show. Their strong chemistry was evident in moments during "Sunrise Sunset" and "Anatevka," where their vocal blend and emotive expressions created a sense of unity. While some moments fell a little flat, the ensemble was able to quickly bring audiences back in. Standout features included Olivia Muchnik as Grandma Tzietel and Alyssa Tuchinsky as Fruma Sarah, who created exciting moments during "The Tailor, Motel Kamzoil."

The technical elements of Fiddler on the Roof were an integral part in bringing Anatevka "to life." The set design was functional and effective, used in moments throughout the show to create dynamic stage pictures. The costumes were crafted with great thought, perfectly reflecting the period, location, and characters. The cleverly named "Oychestra" set the emotional tone throughout and incorporated the title role with the "Fiddler on the Roof." The props were immensely impressive, bringing a 3D element to the center of the stage, combatting with the proscenium-heavy set. Altogether, these aspects created a more creative and complete production.

David Posnack Jewish Day School's Fiddler on the Roof captured the heart of Anatevka, as well as the audience. Complete with strong vocal and emotional performances, the talented cast and crew brought this timeless story to life. "L'chaim"!

by Lily Moscowitz of South Plantation High School.

Doubt at Atlantic Community high school on 1/18/2025

Atlantic Community High School's production of Doubt, A Parable was a truly captivating performance. This rendition included skillful staging, powerful line delivery, and true emotion. This play undoubtedly had audience members at the edge of their seats at every moment. 

This play is set in 1964 in a Catholic school. Sister Aloysius is the school's principal, strict and very traditional, and she begins to suspect her co-worker, Father Flynn, of acting inappropriately towards one of the school's students. The story's plot tackles doubt and certainty all at once and leaves the true ending up for interpretation, which adds another layer to the story's tension. 

Starring as Sister Aloysius, Alana Pearce presents the stage with amazing presence and a strong uphold of herself. Her strong delivery and confidence added so much to this character, as well as her more doubtful moments that are more present towards the end of the play. Alana Pearce's emotion throughout the duration of the production was magnificent and beyond fascinating to watch. Alongside her was Erik Edwards as Father Flynn. He presented numerous characteristics ranging from a charming persona to suspicious mystery man. These traits paired nicely with his character and overall left viewers unsure of his true intentions and actions. 

Moreover, Patt Malangwasira presented the role of Sister James masterfully. She includes a sweet but gullible personality and her character development going from easily influenced to more conflicted and unsure was very engaging to experience. Jaedah Jones also portrayed the character of Mrs. Muller very well. Despite it being more brief, her emotional performance was super enjoyable to watch, considering she was the mother of the student involved in all of this. Hearing her line delivery when explaining how she viewed the situation with Father Flynn gave viewers a different outlook than what we see from Sister Aloysius which was very compelling. 

Overall, Atlantic Community High School's production of Doubt, A Parable is something you most definitely will not want to miss out on! There were countless efforts that went into making this such a powerful performance and a very memorable experience. Do not miss your opportunity to catch this phenomenal show!


by Grecia Ortiz of West Boca Raton Community High

The secret garden at somerset arts conservatory on 1/18/2025

It's the key to the garden! I found the key to the garden! But where's the door? Look no further, it's Somerset Arts Conservatory's production of "The Secret Garden"! 
 
With a script and lyrics by Marsha Norman and music by Lucy Simon, "The Secret Garden" is an adaptation based on the original 1911 novel of the same name by Frances Hodgson Burnett. First premiering on Broadway in 1991, this Tony-winning musical drama tells the story of the young Mary Lennox sent to live with her brooding Uncle following the death of her beloved parents. There, she discovers a neglected secret garden, which she brings back to life. We embark on her transformative journey while exploring themes of self-discovery, love, and healing.

Mary Lennox, played by Amelia Pulido, is the self-centered and stubborn flower that refuses to wilt. Pulido blossomed on stage with her powerful vocals and wide range of expression. Pulido exhibited impeccable character development as she blossomed from a layered and prickly rose into an open and loving person. Pulido displayed authentic chemistry with the frail boy bound to wither away, Colin Craven (Jayden Videa). Videa delivered a well-rounded performance with an extraordinary vocal range.

Soiled with sorrow and grief is Uncle Archibald, played by Suraj Kaniyur. Kaniyur flourished on stage delivering an emotionally compelling performance through his captivating vocals and dynamic characterization. Kaniyur beautifully executed Archibald's emotional journey as he rediscovers the beauty of life. His unwavering chemistry with his late wife, Lily Craven (Isabella Diaz Salvioli) was commendable. Emerging from the hauntingly beautiful portrait on the wall, Salvioli glides onto the stage equipped with beautiful soprano notes.

Bringing warmth and hope to the stage like fresh air is Martha, portrayed by Apryl Cabrera. Cabrera. Her consistent Yorkshire accent and uplifting characterization made her performance unforgettable. In addition, Cabrera delivered a phenomenal vocal performance that was a bouquet of brilliance, a standout being "Hold On". Bringing life to this secret garden, the ensemble delivered a passionate performance with highly-executed harmonies.

Acting as the roots that helped this production flourish are their technical elements! Dramaturgy executed by Ashley Sosa skillfully incorporated extensive time period research that was well reflected on stage. Angelique Gerena & Co. costume design was exceptional! The time period-appropriate costumes transported the audience into Yorkshire, England. Additionally, Hair and Makeup by Saraiya Jean-Claude was well-researched and translated beautifully on stage. The set executed by Jared Robaina, Gabriel Gonzalez, Matteo Amaral, Madison Londono, Camila Morales-Lopez, & Co was equally as transformative. The set was highly detailed and well-thought-out despite the limited space.

I'll "Race You to the Top of the Morning" as we prepare to wander through and explore the mysteries of "The Secret Garden" at Somerset Arts Conservatory!

by Brianna De Los Santos of J.P. Taravella High School

Puffs at coral glades high school on 1/17/2025

Question, hypothetical: What do you get when you mix the whimsical world of magic with loveable, yet often overlooked, underdogs? You get Coral Glades High School's heartfelt production of "Puffs," where the true magic does not lie in a spell, but rather in loving your true self.

Written by Matt Cox in 2015, this comedic play parodies the well-renowned Harry Potter series written by J.K. Rowling. It entails the story of the less-appreciated Hufflepuff House (Puffs), a group of quirky wizards who are trying to navigate their way through the magical mayhem of wizarding school. Following themes of belonging and friendship, "Puffs" reminds audiences that sometimes being ordinary is extraordinary.

As the unlikely hero, Keon Silas' (Wayne Hopkins) performance was simply wand-erful. Silas' diverse physicality expertly crafted both sides of Wayne's character throughout the show, contrasting his initially shy personality with his ultimately brave and confident disposition. Embodying the brooding teen, Ivy Levine's (Megan Jones) profound emotional delivery flawlessly executed the evolution from self-loathing to self-acceptance as a Puff. Completing the equation, Abstrong Alix Charles (Oliver Rivers) perfectly encapsulated Oliver's nerdy persona. Together, their chemistry was enchanting, mixing feelings of heartbreak and humor into the perfect potion as a trio was born.

With magic, charm and wit, Stephen Karow's performance in his contrasting roles (Cedric and Mr. Voldy) was astounding. Karow's bold characterization and dynamic physicality added to the comedic energy of the show, making his moments on stage spellbinding. 

He's boyish. He's fun. He's Malakai Rosemey (J. Finch Fletchley)! Rosemey shined as the imaginary Puff with his witty characterization and clever comical choices. 

Captivating the stage with lively enthusiasm, Abigail Miller (Leanne) left the audience in stitches. Miller's animated movements and impeccable line deliveries were bursting with comedic vibrance and unwavering energy throughout the production.

Fifty points to the Puffs for an enchanting performance! As an ensemble, the Puffs worked together remarkably as a unit. Although diction faltered at times, the ensemble's impeccable comedic timing and differentiation between their many roles helped bring the liveliness of the magical school to fruition. A particular standout, Nialya Flores (Harry) was readily amusing. Flores' parodic take on "The Boy Who Lived" was ridiculously hysterical!

The technical aspects of this production were spell-tacular! Hair and Make-Up, led by Trinity Moss and Hanna Delva, alongside Wardrobe Master Gabriela Barrios, tackled the humorous script with ferocity! Choices made by both crews, from frazzled wigs to googly-eyed glasses, were hilariously executed. With the multitude of quick changes in "Puffs," they handled it expertly, making meticulous choices for hasty, efficient changes.

Like every good story, they must come to an end. Coral Glades High School's heart-warming production of "Puffs" takes audiences through a journey of magic and unexpected heroism, where audiences are reminded that it's not about always being the best, but being brave enough to try.

by Kenny Gervais of Cooper City High School

arsenic and old lace at archbishop mccarthy high school on 11/21/2024

Twelve people missing... and their murderers? None other than two unassuming old spinsters with a fancy for “serving their community.” Archbishop McCarthy High School's production of Arsenic and Old Lace packed a punch as potent as elderberry wine with a teaspoon of arsenic, half a teaspoon of strychnine, and a pinch of cyanide.

Opening in 1941, Joseph Ketterling's black comedy that poked fun at common theatre tropes received sudden success with its first run, playing 1,444 performances in the United States alone. The story follows the secret lives of two widowed aunties and their unusual habit of homicides. Their nephew Mortimer is tasked with taking care of the situation before the cops get there.

The dynamic duo of Abby (Bella Nanavichit) and Martha Brewster (Julia Gouldthorpe) were a joy to watch on stage. Their characterization was excellent, impressively embodying lovely old ladies despite them being high school students. Every line was delivered accurately and was properly motivated. Gouldthorpe's commitment to the character with her hunched over positions and her twitchy, typical old auntie attitude were a treat.

Juxtaposed to the composed killer aunties, Ernesto Fernandez portrayed Mortimer Brewster amazingly, gradually transitioning his witty, charming personality into an increasingly frantic demeanor. Fernandez used every inch of set space, maneuvering it skillfully with each nervous outburst. Sofia Cabrera, playing Elaine Harper, Mortimer's soon-to-be wife, displayed incredible on-stage presence along with a beautiful chemistry with Fernandez.

Accompanying the Brewster aunties was another nephew of theirs, Teddy Brewster (Alek Horta), who strangely thought himself to be Theodore Roosevelt. Horta took this task and ran with it, using his stern voice and patriotic proclamations to fully immerse the audiences into his character with every “CHARGE!” Braden Luongo never missed a beat as Officer O'Hara. His excellent Brooklyn accent and mannerisms were unforgettable and accounted for some hilarious inclusions in otherwise suspenseful scenes.

Held down by some great cue calling by stage manager Allie Lynch, the technical aspects of the play ran fantastically. Every sound effect fit seamlessly into each scene. Although there were some issues with ringing when the actors would raise their voices, it is important to note the work with hanging mics was impressive nonetheless.

The nonstop energy, impeccable comedic timing, and display of proficiency in darker humor of the cast of Archbishop McCarthy High School's production of Arsenic and Old Lace ensured that each moment was entertaining, leaving audiences laughing while maybe a little weary of elderberry wine.

by Yoav Dahan of Cypress Bay High School.

12 angry jurors at piper high school on 11/22/2024

Guilty or Not Guilty? The votes are 11 to 1... but change to 1 to 11. Piper High School's production of “12 Angry Jurors” had consistent endurance and appealing characterization.

The play was adapted from Reginald Rose's play “12 Angry Men” to become more inclusive in the theatre community. In 12 Angry Jurors, a group of twelve varied individuals must decide the fate of a young man facing murder charges, and an early vote quickly sways towards a guilty decision. As Juror #8 starts to analyze the evidence and examine the biases of the other jurors, tensions escalate, exposing personal prejudices and igniting heated discussions that compel the group to reevaluate their own beliefs regarding justice and truth.

The cast, led by Xharia Campbell as Juror #8, delivered a strong ensemble performance. Juror #8, who is the first to question the evidence and stands alone against the majority vote "guilty," was portrayed with quiet conviction and ethical accuracy. Campbell well-captured the character's calm determination as she challenged the biases and assumptions of her fellow jurors, becoming the moral backbone of the play.

Every one of the 12 jurors is distinctly developed, with each performer contributing a unique personality, background, and perspective to their part. The interactions among the jurors vary significantly, from the dominating and biased Juror #3 (portrayed by Afreeca Fullwood), who firmly believes in the defendant's guilt, to the fancy and elegant Juror #4 (depicted by Emma Burke), whose annoyance amplified the tension of the situation. The Foreman (played by Luca Zicarelli) had commendable projection and diction, even with his mic having issues throughout the show. These characters were skillfully crafted, ensuring that each debate resonates on a personal level and carries considerable weight. Each juror stayed connected to the story, even if they weren't involved in the conversation happening on stage.

The technical aspects of this show were very well-developed. While some of the designers were busy acting on stage, their crews did a splendid job anyway. Props had many uses and helped create a more realistic environment while also giving the jurors things to do in the background. They even 3-D printed the weapon, which looked like a real blade. The costume crew helped to differentiate each juror and gave them distinct personalities through their costumes. It really helped the audience figure out which juror was which as the jurors had no names. The set, designed by Violet Brown, Fabiana Redon, and crew, was enjoyable and helped to visualize the setting of the jury room, while even making a working window that opened and closed.

Guilty or Not Guilty, Piper High School did a wondrous job encapsulating the story of “12 Angry Jurors.”

by Austin Blakely of J.P. Taravella High School.

INTO THE WOODS at The American heritage broward on 11/22/2024

What happens when our deepest desires become our deepest regrets? American Heritage Broward's gritty interpretation of “Into the Woods” was captivating and inquisitive, providing a fresh tale for audiences and characters alike.

Opening on Broadway in 1987, “Into the Woods” features music and lyrics by Stephen Sondheim and a book by James Lapine. The musical has seen two Broadway revivals and Tony Awards for Best Book and Best Score of a Musical, plus a Disney film adaptation in 2014. Intertwining Brothers Grimm fairytales together, “Into the Woods” turns the classic two-dimensional stories into darker, stranger journies where characters learn new facets of themselves – and that the woods are not for the faint of heart.

This often-told story, now engulfed by gears, fog, and chains, was led by Nathan Rothbard (Baker). Rothbard brought dynamics and levity to a challenging role, driving the show forward. Opposite Rothbard, Talia Grenier (Baker's Wife), gave an equally compelling performance vocally and emotionally. As the “runaway maiden”, Maya Levinson (Cinderella) was transcendent in her role, delivering clear vocals and truthful acting choices, highlighted as her character matured in “No One Is Alone.”

Jack Ryan (Cinderella's Prince) royally embodied his role as “A Very Nice Prince”. Through hilarious comedic timing and physicality, Ryan's chemistry with the actors onstage was infectious. Breathing new energy into his role, Jaden Mantis (Narrator/Mysterious Man) was a mysterious mad scientist, wandering through the woods to reunite with his son. Mantis' kookiness was a joy to watch onstage.

Despite pacing and diction issues, this ensemble-driven story was handled well, as all actors worked well with one another. Matthew Squeri (Jack) and Diana Ramos-Salinas (Little Red Riding Hood) had excellent chemistry, channeling youthful energy throughout the piece. On the opposite side of the age gap, Andrea Gonzalez Perez (Granny) was a comedic stand-out, utilizing every moment of her stage time! Additionally, The Stepfamily showcased creative characterization in their storytelling.

“Our little world is everything a world ought to be…” The unique technical elements of the production assisted in bringing “Into the Woods” to life. From the cow as white as milk to the slipper as pure as gold, props by Feryal El'Ashmawy were detailed and creative. Milky White was well-designed to fit these repurposed woods, creating new dynamics for the cast to work with. Furthermore, the costumes by Elliot Spiva helped characterize each individual. While the sound was flawed at times, the actors and the impressive 31-piece orchestra managed to stay on top of Sondheim's tricky score.

Wishes have been granted! American Heritage Broward's plucky and fun production of “Into the Woods” was filled with talent, heart, and most importantly, beans!

by Jack Steinman of NSU University School

sweeney todd (school edition) at cooper city high school on 11/23/2024

Anyone who was able to “attend the tale of Sweeney Todd” at Cooper City High School knew their production was unique and entertaining. Debuting on Broadway on March 1st, 1979, in what is now the Gershwin Theater with music by Stephen Sondheim and book by Hugh Wheeler.

Payton Varga, who plays Sweeney Todd, truly leaned into the manic part of his character. We could see his psychotic breaks get worse and worse as the show progressed. They truly felt real, and we could see the craziness in his eyes. His acting in “By the Sea” was also favorable. He brought a comical sense to the number by staying serious while Mrs. Lovett was all over him. Mrs. Lovett (Brooke Shears) was a very memorable character. The bubbly energy that Shears brought to her character was outstanding. With her, there was never a moment where she wasn't filling the stage with her over-the-top character. She was giving measured facial expressions that were perfect for the proximity the audience was at. She should be commended for keeping her Cockney accent consistent throughout the whole show, even while singing.

Saeryn Jones (Johanna) really committed to her character. Everyone in the audience felt all of her character's emotions. Her beautiful high notes were unforgettable. They were natural, and smooth, which helped further her acting. Everything she did was natural, and she had a great feminine touch. Nathan Grun (Judge Turpin) convinced the audience to hate his character skillfully. He played the villain perfectly, and his acting felt so real. The audience could almost believe he really was Judge Turpin.

One of the most memorable moments of the show was the musical sequence “City on Fire”. In this number, a lot of sequences were moving quickly and urgently, which made it difficult for actors to keep up. However, their vocals and movements stayed on points, and the asylum patients realistically scared the audience with their acting and movements.

Tech played a huge role in this production. From making sure hair, makeup, and accents were time and place accurate to altering costumes, and making props, the crew should be commended for how much they have done. The intricacy of every crew aspect of this show makes it even more difficult to put on this production, not to mention that many of the cast members doubled as crew members.

Although the actors got extremely close to the audience, making them a bit uncomfortable, overall Cooper City High School's production of Sweeney Todd (School Edition) was entertaining and left the audience feeling something, no matter the emotion. Whoever attended this tale was in for a ride.

by Mattingly Zonis of NSU University School.

Alice in Wonderland at The Dr. Joaquin garcia high school on 11/23/2024

The audience fell down the rabbit hole at Dr. Joaquin Garcia High School Theatre Company's imaginative production of Alice in Wonderland.

Adapted for the stage by Eve Le Gallienne and Florida Friebus, this performance breathed new life into Lewis Carroll's beloved tales while staying true to the whimsical and eccentric spirit of the originals. With a visually rich steampunk aesthetic and captivating performances, the production offered a dynamic and creative interpretation of a timeless classic.

The show opened with a haunting scene as ensemble members dressed in ghost-like white masks set an eerie and otherworldly tone. This mysterious ambiance carried through Alice's (Emily Huhn) journey into Wonderland, visually marked by projections and shadow effects that depicted her crossing into another realm. One particularly inventive moment came during the “Eat Me, Drink Me” sequence, where Alice's size changes were portrayed through shadow play on a white screen. This creative solution effectively conveyed the surreal transformation without relying on digital effects, highlighting the ingenuity of the production team.

As Alice ventured deeper into Wonderland, she encountered an array of memorable characters, each brought to life with vivid performances and bold visual design. The Mouse (Juliet Cintron) guided Alice across the ocean of tears, leading to a series of interactions with well-known figures like the Caterpillar (Lysandra Rodriguez), the White Rabbit (Melody Vazquez), and the Cheshire Cat (Viose Thelemaque). Journey Collazo's Queen of Hearts stood out with her commanding presence, bringing both humor and intensity to the role. The show's steampunk aesthetic tied these characters together, adding a layer of originality to their familiar depictions through detailed costumes, props, and set design.

One of the most captivating moments came from Evan Paggi as the Mad Hatter. From the moment he stepped onstage, Paggi commanded the audience's attention with a performance that was both vibrant and unique. The Unbirthday Tea Party scene, a favorite among audiences, felt as if it had been lifted directly from a storybook and placed on stage, thanks to the combination of Paggi's energy, the colorful staging, and the lively ensemble.

The second act transitioned seamlessly into Through the Looking Glass, introducing Alice, and the audience, to new characters like the Red Queen (Madison Howell) and the White Queen (Aria Pickman), who guided her on a journey across a chessboard. Along the way, familiar faces like Humpty Dumpty (Elio Fantauzzi) and Tweedledee and Tweedledum (Juliet Cintron and Elizabeth Patterson) added humor and charm. While the interchangeable use of “Red Queen” and “Queen of Hearts” in previous adaptations initially caused some confusion, the production's clear storytelling helped distinguish the two figures, allowing the narrative to flow smoothly.

The steampunk aesthetic was a standout feature throughout the production, achieved through a combination of intricate set pieces, designed by a crew led by Aria Roedsens, and imaginative costumes created by Miranda Pachter. The haunting soundscape, designed by Cecilia Ferreira, added depth to the show, enhancing its dreamlike quality. Pachter also excelled as the production's stage manager, ensuring every technical element was executed with precision, from projections to sound and lighting cues.

The performers and technicians of Garcia Theatre Company's Alice in Wonderland created a magical, immersive experience that drew the audience into Wonderland itself. This creative and imaginative production offered a vibrant twist on a timeless tale, leaving audiences fully engaged from start to finish.

by Elizabeth Kronhaus of AW Dreyfoos School of the Arts

ride the cyclone(High school edition) at south plantation on 11/24/2024

First things first: “This Song Is Awesome”—and honestly, all the songs are. If you're looking for a wild, darkly comedic ride through the afterlife, this show delivers everything and more. “Ride The Cyclone: High School Edition” at South Plantation High School is a spectacular performance that takes audiences on a dizzying, darkly whimsical journey, blending humor, emotion, and the thrill of fate in unexpected and unforgettable ways.

Written by Jacob Richmond and Brooke Maxwell, this darkly comic musical explores the lives of six teenagers who die in a roller coaster accident and are given one final chance to prove themselves in the afterlife and continue life on Earth. Their fates are determined by a competition orchestrated by a mysterious mechanical fortune teller named Karnak, forcing them to confront mortality, fate, and their deepest desires. The result is a unique blend of camp, poignancy, and absurdity that is both thought-provoking and entertaining.

Isabella Morales was magnificent as Ocean, the “classic narcissist” who believes she is the one who deserves to live. Morales brought depth and vulnerability to Ocean, skillfully navigating her inner turmoil while balancing her outward bravado. Her vocal performance was both powerful and emotionally resonant, making her character's journey of self-discovery compelling and captivating.

Kay Regalado's portrayal of Jane Doe stood out as well, with a performance marked by impeccable physicality and a beautiful vocal performance, particularly in the song “The Ballad of Jane Doe.” Regalado, alongside Doris Diaz—who played Jane's ASL interpreter—delivered a deeply emotional and engaging performance, adding an extra layer of depth to their scenes. The synergy between Regalado and Diaz elevated the emotional weight of Jane's story, turning their moments into some of the most powerful in the production. Jaxon Reid (Mischa) and Brianny Frias (Constance) also delivered memorable performances, with Reid balancing humor and sincerity, and Frias capturing Constance's quirky charm and vulnerability with sharp wit.

The technical aspects of the production were equally impressive. The intricate makeup and hair design by Brianny Frias and Isabella Morales, particularly with hand-made prosthetics and fake blood, enhanced the characters' development and the show's overall impact. The attention to detail in these aspects added layers to the visual storytelling, enriching the narrative before a word was even spoken.

The integration of ASL interpreters was another standout achievement, ensuring accessibility while maintaining the show's emotional authenticity. Kay Regalado, Ciana Stewart, Theo Mahan-Sassi, Leah Millon, and Lily Moscowitz's collaboration ensured that the show was accessible in a meaningful way, allowing for a richer experience for all audiences.

South Plantation High School's production was a chaotic yet beautiful ride that combined humor, heart, and philosophical depth in a way few musicals dare. With an exceptional cast and stunning technical elements, this production was not just a performance; it was an experience. It was a ride worth taking, one that stayed with audiences long after the final note faded.

by Daniel Font-Wilets of American Heritage Broward.

the 39 steps at The benjamin school on saturday, 11/16/2024

Heroic acts, flirtatious events, near-death experiences, and spy rings are all components of a thrilling, comedic drama! The Benjamin School’s serendipitous production of The 39 Steps (dun dun dun!) exhibits the plot of a man getting framed for a mysterious murder. He then runs into unexpected bumps while attempting to clear his name that later lead him to the discovery of a spy organization that has been following him throughout the duration of the show.

The 39 Steps is a play adapted from John Buchan’s novel from 1915. This play takes place in London in 1935 about a man named Richard Hannay who is framed for the murder of Annabella Schmidt the night of their first encounter at the theater. Hannay then goes on the run to clear his name from the authorities. While on this journey, he stumbles upon the 39 Steps organization and makes it his goal to do everything in his power to stop their sinister plans from commencing. The production is recognized for its conventionally small cast, fast-paced scenes, and quick set changes.

When the story begins, Richard Hannay (David Frear) does a phenomenal job at truly making the audience experience being on the run with Richard. David Frear presented the role with consistent energy and believability. He delivered every line with true intent of giving a clever and resourceful motive. He later encounters Annabella Schmidt (Sage Sorenson), who gives prime examples of a mysterious, but courageous female supporting actor. She has a very strong uphold of herself but once she is killed by the spy ring, her more vulnerable side is shown. Another supporting character that really stood out was Mr. Memory (Ilia Peck). The character provided comedic relief while the discrepancy between Richard Hannay and Annabella Schmidt progressed on the side in the beginning of the first act. In Act 2, the comical duo of Mr. McGarrigle (Ilia Peck) and Mrs. McGarrigle (Ava Shawe) not only had perfect comedic timing, but depicted a trustworthy set of hotel owners when Pamela Edwards (Sage Sorenson) expressed her need for help.

The technical aspects of this show truly made this production come to life. Stage Manager, Michael Alvarez orchestrated seamless and efficient cues throughout the entire duration of the show. The costume crew provided the actors with time-fitting outfits that truly conveyed the plot all through the production. Moreover, the props made the storyline progress efficiently from huge lettuce and tomato sandwiches to detailed airplanes.

The Benjamin School’s production of The 39 Steps is an enjoyable whirlwind of suspense, surprises, laughs, and heartwarming events. This cast and crew is bursting at the seams with talent and charisma that brings the true classic spy thriller to life.

by Grecia Ortiz of West Boca Raton Community High.

Shrek the Musical at Cardinal Gibbons High school on friday, 11/08/2024

After seeing Cardinal Gibbons High School’s production of Shrek the Musical, it’s plain to see that the only thing larger than an ogre’s roar was the cast’s ability to steal the spotlight! With music and lyrics by Jeanine Tesori & David Lindsay-Abaire respectively, and a book by the latter, Shrek the Musical follows the once-secluded ogre and his chatty sidekick, Donkey, as they weave through the trials and tribulations of the fairytale world in pursuit of the sequestered princess, Fiona. Originally opening on Broadway in 2008, this production interweaves themes of self-acceptance & the importance of friendship with a nuanced, witty charisma, giving it a campy and audience-appropriate feel.

At the forefront of this outstanding company was Spencer Levine as the iconic titular role. From his first line, Levine commanded the audience’s attention with his immaculate stage presence. His take on Shrek brought both the rough exterior, as well as his softer, more vulnerable side to life, allowing us to easily see the complexities of an otherwise very well known character. However, what’s a leading man without his clever companion? Taking on this jocular role was junior Riley Barrett. Her portrayal of Donkey defied all expectations, and quickly developed depth and charm, not just offering the surface-level humor provided in the show's libretto. What was particularly impressive was Barrett’s ability to execute a role that was originally written for a male register. Throughout the performance, she was able to find comfortable placements that allowed her to produce each note seamlessly. Moreover, it would be a disservice of this production to not highlight its remarkable leading lady, played by senior Brianna Brochu. Over the course of the show, Brochu championed the difficult material, in both her acting and musicality. This beloved trio must be applauded for remaining in-character and in the moment.

While every actor brought their own uniqueness to each character, it was Jacob Miers’s portrayal of Lord Farquaad that was truly unforgettable. Every time Miers delivered a line, the audience couldn’t help but burst out uncontrollably from laughter. With his outstanding comedic timing, and larger-than-life presence, it was no wonder that he’s no stranger to the stage. Not to mention, he performed the entirety of the show on his knees, with the addition of prosthetic makeup, all outstanding attributes that helped bring this egotistical authoritarian ruler to life. Not at any moment did these details seem like they were getting in the way of his performance, as he remained in character throughout the show.

Another notable aspect of this production was the exceptional quality of the technical elements. Most notably, the stage management team, which included Elyssa Solov and company. At just over two hours, this production featured more than a hundred individual lighting cues, as well as a substantial number of complicated set cues and sound effects. For example, each time the character of Pinocchio (played by Aubrey Martin) lied, his nose grew, accompanied with a distinct and characterized noise. Along with the sound department (composed of Nathan Himawan & Mackenzie Canizaro) the precise calling of moments such as this, added a layer of polish and professionalism to an already technically advanced production.

In conclusion, Cardinal Gibbons High School’s Shrek the Musical proves that even ogres have layers, and this cast did an outstanding job at each and every one. There is no doubt that anyone who saw this show is now truly, a believer!

By Jonathan Jacknow of American Heritage Palm Beach

The Lightning Thief at Spanish River High school on Sunday, 10/25/2024.

Welcome to Camp Half-Blood! This riveting epic will have you on the edge of your seat from start to finish! Where daily cutthroat capture-the-flag games, intense duels, and vehement breakout dance numbers from Tartarus are the main source of entertainment, Spanish River High School’s production of “The Lightning Thief” was electrifying – yes, pun intended.

Originally a book series by Rick Riordan, this story about Percy Jackson finding his way in the “odyssey” of life was adapted into the stage version, playing on Broadway in 2018. Make sure to brush up on your Greek mythology before Spanish River High School brings on the monsters!

In this hero's legend, Nicolas Otero splashed onto the scene as Percy Jackson. Although Percy is a demi-god with ADHD and dyslexia, Otero is immensely focused on his killer quest, aware of his surroundings, and consistently captivated by his fellow actors. Furthermore, his youthful mannerisms are attributed to his character’s spirited personality, which assisted in forming onstage relationships with cabinmates like Joseph Alkon (Grover).

Alkon naturally maneuvered his satyr –not to be confused with centaur– legs impressively throughout the production while keeping one hoof on his comedic timing. Not only could this goat-legged companion of Percy’s strike laughter out of the crowd, but he, as demonstrated in “Lost!”, was very comfortable, vocally, in his own skin…fur?

Keeping “seaweed brain” and “goat boy” clear of the chaos with her maps and her grand plan, Kasie Cabral (Annabeth) proves that agility wasn’t the only gift given to her by the gods; her extraordinary vocal talent had the audience thunderstruck. As the adventurous narrative to return Zeus’s lightning continued, the newfound emotional connection of the trio grew as if it were sparked by the very bolt inside of Percy’s backpack.

As a whole, the cast, cleverly directed by Jillian Bender and choreographed by Kasie Cabral, brought consistent high energy from beginning to end, engaging the audience through every step of this exhilarating monomyth. Specifically, “Put You in Your Place” was full of challenging stage combat that required specific movements, matching the rhythm of the music while keeping focus on the primary vocalists. Despite some minor diction issues, the shared intensity and well-organized execution of each musical number raised the roof higher than Mount Olympus.

The technical aspects of the production were noticeably impressive. Further enhancing this production, the light(n)ing, designed brilliantly by Adrianna Tartamella and others, brought a sense of vitality to it, offering a more authentic, enthusiastic performance. Between songs and scenes, the lighting team was able to grab the audience’s attention until the curtain fell.

Spanish River High School brought their A game, making a complex show filled with ambitious harmonies and challenging dance numbers look like a click of a pen – don’t worry, no swords or monsters were harmed in this outstanding production of “The Lightning Thief.”

By Zachary Kopelman of NSU University School

Disaster! The Musical at north broward preparatory school on Sunday, 10/19/2024.

With a blend of nostalgia, humor, and catchy tunes, North Broward Preparatory School brings audiences back to the disco era with their groovy production of “Disaster!”

Written by Seth Rudetsky and Jack Plotnick, “Disaster!” opened on Broadway in 2016. This jukebox musical presents a hilarious homage to the 1970s disaster films. Blending iconic plotlines and classic songs from the time, the plot follows a group of New Yorkers in a 1979 floating casino. Chaos ensues as the passengers face a night full of comedic disasters.

Determined to prevent catastrophe and save the ship, Jack Rodman portrayed the tenacious hero of the story, Ted. His hilarious physicality, impeccable comedic timing, and electric chemistry with Kailah Lavoie brought the humor and heart of the disaster expert to life. As Jackie, Lavoie showcased impressive vocals and a commendable distinction between each of her relationships. Her ability to showcase the complexities of her character’s connections added emotion and depth.

Shirley and Maurey, played by Sydney Atherton and King Bell, were a shining addition to this production, guiding the passengers with their wisdom and humor. Atherton and Bell excelled at embodying the physicality and voices of the elderly pair. They brought an impressive range of emotions providing audience’s with both tender moments and a playful energy. Complete with a lively tap number, the duo proved that you're never too old for one more night of disastrous fun. Lily Shytle delivered a remarkable performance as both Ben and Lisa, showcasing the duality with distinct vocal ranges and physicality for each character. Her ability to seamlessly switch between the two twins highlighted her versatility and added humor to the production.

The cast as a whole consistently delivered a high energy performance with well-executed choreography, strong vocals, and ample stage business. Through their hilarious execution of the 1970s references, the cast created a thrilling blend of humor and excitement, sensationally bringing the chaos and humor of “Disaster!” to life. A standout duo among the cast was Jay Boegem and Michelle Gutierrez, who brought a compelling dynamic as Chad and Marianne. Boegem’s strong vocals and charm paired perfectly with Gutierrez’s heartfelt vulnerability, showcasing a love that could weather any storm.

The technical aspects of the show were truly incredible. Hair and Makeup, expertly designed by Alanna Maurer, captured the vibrancy of the 1970s while crafting a realistic depiction of characters' old age and eventual wounds. Costumes led by Ethan Barracos, further enhanced the production. Their blend of bright colors and retro styles highlighted each character's personality, allowing for a stunning visual. Although at times there were a few late cues, stage manager Shayna Gainsburg must be commended for quick recovery and calling an impressive 556 cues.

With a truly phenomenal cast and crew, North Broward Preparatory School’s production of “Disaster!” is a performance audiences will love from now until the day after forever.

by Abby Goldberg of Cooper City High School

The Great Gatsby at Saint Thomas Aquinas High School on Sunday, 10/06/2024.

Accept the invitation to Saint Thomas Aquinas High School's performance of “The Great Gatsby” and enjoy the extravagance of Gatsby's parties! Follow the story that highlights the extent people will go for love in a production full of romance, wealth, and the Roaring Twenties.

Based on F. Scott Fitzgerald's classic novel, “The Great Gatsby” was adapted into a play by Simon Levy in 2006. The story follows Jay Gatsby, a wealthy man who hosts extravagant parties in the hopes of rekindling his romance with his lost love, Daisy Buchanan. When Nick Carraway, recently moved from the Midwest, moves next door to Gatsby's mansion, he becomes involved in Gatsby’s efforts to reunite with Daisy, Nick’s cousin. As Daisy’s husband, Tom, grows suspicious, tension grows, revealing how longing and obsession can lead to destruction.

The clear presence of the host, Jay Gatsby, portrayed by Cole Christianson, captivated the audience. Christianson's authentic characterization and natural chemistry with the cast kept the plot engaging. In particular, his chemistry with Daisy Buchanan, played by Mallory McKeon, highlighted the significance of their romance in shaping Gatsby's actions. Through intricate physicality and expressions, McKeon flawlessly conveyed Daisy's charming yet shallow nature, even during her passionate moments with Gatsby.

Embodying the brute Tom Buchanan was Nicolas Barreiros Plata. Through genuine expressions and a dominant presence, Plata brought a layer of authenticity to Tom’s character, creating more depth in the production. Alongside Tom was Jordan Baker, played by Alexi Arocho. She had a noticeable presence whenever she entered the stage, bringing strong facial expressions and impeccable reactions to the story. Furthermore, Arocho shared believable chemistry with Nick Carraway, played by Dylan Saito. Saito’s powerful diction and vocal inflection during his narration was noteworthy, as they added depth to his role.

The ensemble of the production kept the party roaring, and they should be commended for their impressive improvisation, creating a diverse storyline for the production. Despite some unconvincing movements in the background of scenes, the constant chatting and drinking maintained an engaging narrative. A particular prominent character is Myrtle Wilson, played by Avery Patterson. Patterson delivered her lines with a strong tone, and her unpredictable mannerisms captivated the audience from start to finish.

The technical aspects of the production shined as brightly as the green light across the waters, capturing the audience's attention. The costumes, led by Abigail Hilbert were beautifully matched with the time period and the emotions portrayed throughout the show, effectively utilizing color theory. The Stage Management team, including Presley Dean, Valentina Ramos, Beth Sinal, and Ian Miller, was a highlight of the show. Despite some cue mishaps, the fog machine was flawlessly timed with the transitions, creating captivating flashback sequences.

Saint Thomas Aquinas High School’s production of “The Great Gatsby” encapsulated the complexity of the story with romance and despair. So, if you receive an invitation to one of Jay Gatsby's extravagant parties like this one, be sure to accept it, old sport!

The review by Alexis Adler of Cooper City High School

As You Like It by Calvary Christian Academy on Thursday, 10/03/2024

“All the world’s a stage” as Calvary Christian Academy puts on an incredible performance of “As You Like It!”

“As You Like It” was written by the world renowned playwright William Shakespeare around 1599. This pastoral comedy surrounds many love stories connected through themes of disguise, family, and exile. The central story occurs between Rosalind and Orlando as they experience love at first sight and find their way back to each other in the Forest of Arden after getting banished. Through Rosalind’s disguise, Ganymede, she orchestrates a plan to marry Orlando with the help of her cousin Celia. During this process, she meets many new people and learns more about love along the way.

Lily Shein (Rosalind) did an outstanding job portraying the contrast between her female role and male cover. Her use of vocal inflection and tone created a layered character. Her chemistry with love interest Jesse Oliva (Orlando) radiated as they used strong eye contact and body language to create a passionate lust between the two. Oliva also perfectly used his facial expressions and characterization to illustrate the feeling of love at first sight.

Aliyah Kallioinen (Celia) had a sensational stage presence. Her attention to detail with every movement and commitment to character kept her consistent and authentic. Her comedic timing was impeccable and her use of small gestures gave outstanding comedic relief. Her dynamic relationship with Shein illuminated the audience as they created a light and humorous duo. Their comfort on stage and undeniable friendship led to a connection that was upheld throughout the whole story. Jay Lopes-Silva (Touchstone) had fantastic physicality as he embodied the whimsical jester. His storytelling ability was immaculate and very enticing.

As a whole, the entire ensemble created the environment of the forest flawlessly. Through interactions with audience members and playing many characters, they created an immersive experience. They nicely executed the in the round setting as they played to every side of the audience and stayed in character through all angles. Despite some diction issues, their ability to tell the story while using Shakespearean language was extremely impressive. A standout member of the ensemble was Desi Sewel-Browne (Duchess Senior). Her confident energy created a strong maternal figure that stayed consistent throughout the show.

Led by Charleigh Huisman, the stage management team, including Wesley Maye, Josh Godbey, Nicolette Suarez, did a fantastic job keeping the story alive by calling up to 237 cues and designing sound that perfectly encapsulated the moments. Huisman’s timing and execution of cues was fantastic. In addition to this, Maye’s sound design created a cohesive story that paired extraordinarily with the other aspects of the show. The use of modern songs relating to each scene made the story easier to follow and fun to watch.

Calvary Christian Academy’s outstanding production had everything you could wish for just “As You Like It!”

The review by Mia Wilson of Cooper City High School